Still, by the end of World War I, fueled by rising land values and a servant class fighting overseas, luxury-apartment construction reached a zenith. “They hadn’t quite figured out how to arrange rooms that made for a gracious layout,” architecture critic Paul Goldberger, a Vanity Fair contributing editor, said of The Dakota’s builders. Bedrooms were adjacent to kitchens bathrooms were few and far between and living rooms were stranded in Siberia. There was only one problem: The layouts were terrible. In 1884, The Dakota on Central Park West debuted as America’s first-ever luxury apartment building, luring in aspirational upper-middle-class New Yorkers by offering them the amenities they had come to expect in their private homes, with lower costs. While Candela didn’t exactly pioneer the high-class Manhattan apartment, he fine-tuned the look of luxury dwellings and mass-produced them for the wealthy class - introducing new layouts that remain the benchmark for exclusive living. Guest, Phipps Guest’s daughter-in-law, who once occupied it, called it “the most magnificent in New York City.” Rosario Candela Christopher Gray In 2010, hedge-funder Richard Perry splashed out $10.9 million for Phipps Guest’s former home, which by that time boasted 18th-century gold-and-ivory door frames and white marble floors. He would attend Columbia University, and it wasn’t long before he would begin working on some of Manhattan’s most coveted addresses.Ĭandela would design 82 apartment buildings in New York City, reaching his zenith in the dizzying construction boom of the 1920s, still considered one of the city’s greatest eras for high-end multifamily housing development.īeyond 1 Sutton Place South, Candela’s celebrated reach expanded to tony buildings down Park and Fifth avenues - glamorous dwellings that command many millions of dollars today. In 1909, when he was barely 20 years old, Candela left his native Sicily for New York with $20 in his pocket and even fewer words in his English vocabulary. “He defines the buildings of Jazz Age New York.” “Candela defined an era,” said Donald Albrecht, curator of “ Elegance in the Sky: The Architecture of Rosario Candela,” an exhibit at the Museum of the City of New York that spotlights the architect’s contributions to luxury housing and the city skyline. But by the 1920s, a growing number of elite New Yorkers were making the transition from private homes to apartment buildings - and it was the architect Rosario Candela who set fashionable new standards for how they lived, including at 1 Sutton Place South, which he helped design. Phipps Guest had resided at her brother’s five-story mansion off Fifth Avenue at 6 E. The new 13-story residential building had its own private yacht landing on the East River, and the apartment’s original floor plan showed no fewer than two ballrooms and a 30-foot dining room, all of which poured out onto an expansive roof terrace. In 1927, the socialite Amy Phipps Guest - whose father, Henry Phipps, was a partner of Andrew Carnegie - took over the crown-jewel penthouse at 1 Sutton Place South. New Yorkers can't stop complaining about their blocked views Palace of Versailles-inspired French château in Pennsylvania lists for $12M Developers take advantage of NYC's slow return to work to convert dormant office spaces to apartmentsĪrchitect Henry Cobb once lived in this now-sold NYC duplex
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